Ferragamo’s Roaring 20s take Whispers Slouchy Elegance
Ferragamo’s Roaring 20s take Whispers Slouchy Elegance
Ferragamo’s Roaring 20s take Whispers Slouchy Elegance
Style
•
October 11, 2025



Pavan Premaney
Chief Editor





Leopard, fringe and a whole lot of satin.
There’s a certain amount of slouch and laid-backed-ness that one comes to expect from Maximilian Davis’s collections for Ferragamo, and this year, the garments were large, slouched and, indeed, layered. Davis has returned to the house codes for the Spring/Summer ’26 outing and allowed them to be reimagined through the lens of the roaring twenties.
Taking inspiration from Lola Todd’s 1920s leopard looks, the collection harkens to the design tentpoles of the time, a slouchy knee-length blouson dress, wide lapels, shawls draped across the neck, and of course, the fringe detailing.
“I was interested in how certain materials, prints and textiles were imported from across Africa and the Caribbean into America and Europe to become a sign of status,” said Davis of the collection, in a nod to the Harlem Renaissance and the Africana movement.

There’s a huge play towards colour blocking that propels this collection from the 1920s to modern day with pastel tones that cement it as a spring collection.
The menswear codes for Ferragamo always echo the same sentiment, season after season, tailoring is important but so is being comfortable in them. It foregoes the rigidity of British or Italian tailoring and claims a style unique of its own. Casual, breezy, yet sharp.
You can always trust Ferragamo to put out a collection that is very wearable.

There’s a certain amount of slouch and laid-backed-ness that one comes to expect from Maximilian Davis’s collections for Ferragamo, and this year, the garments were large, slouched and, indeed, layered. Davis has returned to the house codes for the Spring/Summer ’26 outing and allowed them to be reimagined through the lens of the roaring twenties.
Taking inspiration from Lola Todd’s 1920s leopard looks, the collection harkens to the design tentpoles of the time, a slouchy knee-length blouson dress, wide lapels, shawls draped across the neck, and of course, the fringe detailing.
“I was interested in how certain materials, prints and textiles were imported from across Africa and the Caribbean into America and Europe to become a sign of status,” said Davis of the collection, in a nod to the Harlem Renaissance and the Africana movement.

There’s a huge play towards colour blocking that propels this collection from the 1920s to modern day with pastel tones that cement it as a spring collection.
The menswear codes for Ferragamo always echo the same sentiment, season after season, tailoring is important but so is being comfortable in them. It foregoes the rigidity of British or Italian tailoring and claims a style unique of its own. Casual, breezy, yet sharp.
You can always trust Ferragamo to put out a collection that is very wearable.

There’s a certain amount of slouch and laid-backed-ness that one comes to expect from Maximilian Davis’s collections for Ferragamo, and this year, the garments were large, slouched and, indeed, layered. Davis has returned to the house codes for the Spring/Summer ’26 outing and allowed them to be reimagined through the lens of the roaring twenties.
Taking inspiration from Lola Todd’s 1920s leopard looks, the collection harkens to the design tentpoles of the time, a slouchy knee-length blouson dress, wide lapels, shawls draped across the neck, and of course, the fringe detailing.
“I was interested in how certain materials, prints and textiles were imported from across Africa and the Caribbean into America and Europe to become a sign of status,” said Davis of the collection, in a nod to the Harlem Renaissance and the Africana movement.

There’s a huge play towards colour blocking that propels this collection from the 1920s to modern day with pastel tones that cement it as a spring collection.
The menswear codes for Ferragamo always echo the same sentiment, season after season, tailoring is important but so is being comfortable in them. It foregoes the rigidity of British or Italian tailoring and claims a style unique of its own. Casual, breezy, yet sharp.
You can always trust Ferragamo to put out a collection that is very wearable.

There’s a certain amount of slouch and laid-backed-ness that one comes to expect from Maximilian Davis’s collections for Ferragamo, and this year, the garments were large, slouched and, indeed, layered. Davis has returned to the house codes for the Spring/Summer ’26 outing and allowed them to be reimagined through the lens of the roaring twenties.
Taking inspiration from Lola Todd’s 1920s leopard looks, the collection harkens to the design tentpoles of the time, a slouchy knee-length blouson dress, wide lapels, shawls draped across the neck, and of course, the fringe detailing.
“I was interested in how certain materials, prints and textiles were imported from across Africa and the Caribbean into America and Europe to become a sign of status,” said Davis of the collection, in a nod to the Harlem Renaissance and the Africana movement.

There’s a huge play towards colour blocking that propels this collection from the 1920s to modern day with pastel tones that cement it as a spring collection.
The menswear codes for Ferragamo always echo the same sentiment, season after season, tailoring is important but so is being comfortable in them. It foregoes the rigidity of British or Italian tailoring and claims a style unique of its own. Casual, breezy, yet sharp.
You can always trust Ferragamo to put out a collection that is very wearable.

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